Live vocalists have a lot to worry about on stage. Not only do you need to worry about sounding your best, but you also need to worry about blending in with your bandmates, engaging with the audience, and sometimes even doing some on-stage acrobatics.
When it comes to vocal production, often the most important decision is which microphone to use. While the perfect candidate depends largely on the singer and the style of music, there are a handful of microphones that are unanimously beloved and trusted within the recording industry.
In this article, I will be taking a look at the best studio vocal microphones, from the most sought-after to the most overlooked.
Today, we’ll be reviewing the AKG P220 large-diaphragm condenser microphone.
Although AKG is known for its high-end microphones and innovations in recording technology, the company has had its hand in consumer-grade products for some time and to varying success. Let’s see how it’s managed with the P220.
Today, we’ll be reviewing both the Roswell Mini K47 and Mini K87.
Roswell is a boutique microphone company, which has made a reputation of creating extremely well performing products for competitive prices.
We expect that the Mini K47 and K87 are no exception here, but let’s take a closer look.
Here are some of the best music producers of all time in no particular order.
For those of you interested in music production, it might be worth taking a look at the artists who have come before you to set the stage. Let’s get started.
Today, we’ll be reviewing the Shure Beta 52A supercardioid dynamic kick drum microphone.
This is one of the most popular choices when it comes to recording bass and kick drums. So, let’s dive right in and see if it holds up to the hype.