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PreSonus Eris E5 review

Already well established in the preamp and audio interface market, PreSonus has added loudspeakers to their line of products in the past several years. In this review, we are taking a look at the PreSonus Eris E5 studio monitors.

PreSonus Eris E5 studio monitors (pair)

Our verdict on the Eris E5 3.6

While there are better monitors we could suggest, the PreSonus Eris E5s may arguably be good enough for most people. Especially considering how affordable they are.

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Power and frequency response 2.8

The Eris E5 has a frequency response of 53 Hz – 22 kHz, and a max peak of 102 dB SPL. By themselves, the speakers sound better than expected. However, there is a large amount of distortion present in the low end especially at higher volumes. We’re not sure whether it’s coming from the woofer or the amplifier, but once you begin hearing distortion you won’t be able to unhear it.

After extended periods of listening, we found the brightness of the high end to be quite fatiguing. The crossover frequencies also didn’t seem to be aligned very well, and most vocals were quite lost in reproduction. For the money, it is acceptable, although there are better speakers available. Check out our best budget monitors article.

Build quality 4.5

On a purely physical level, the monitors look and feel quite nice. The blue woven Kevlar on the woofer is an understated, yet elegant touch to the overall aesthetic. They feel incredibly solid as well, weighing about 10 lbs each. The case is vinyl and medium density fiberboard, so they’re fairly well protected from collision of any sort. Overall, we find that the design of the monitor may be the best part about it.

I/O and controls 4.0

Audio can be fed to the monitor through balanced XLR and TRS jacks, or through unbalanced RCA. The inputs are positioned under several adjustment rotary dials, one of which controls the input gain being sent in. The other two are acoustic tuning knobs for high and mid frequencies, both allowing for +6 or -6 dB.

There is a dedicated low cutoff switch as well, allowing you to configure for a flat response, or cuts at either 80 Hz or 100 Hz. Above the IEC socket, power switch and AC select switch, are several images to help decipher what setting you should adjust the Acoustic Space switch to for the best results (0, -2 db, -4 db).

We found that the layout of the rear panel to be incredibly well designed, and easy to follow.

Compared to other studio monitors

While the Eris E5 may truly be the best studio monitor to accommodate your needs, there’s always more to consider. Here are some alternatives that are worth your attention.

PreSonus Eris E5 vs. KRK Rokit 5 G4

While the KRKs have their divisive qualities, we found that they perform better than the Eris E5s. Far less distortion, better sounding mid frequencies, and what’s better, is less fatigue. Be warned that the KRKs do inflict some coloration onto their reproduction, and that it may be well worth your time to look for a more neutral monitor. However, we still like it better than the PreSonus.

Check out our full KRK Rokit 5 G4 review

PreSonus Eris E5 vs. JBL 305P Mk2

The JBLs are far more pleasant sounding than the Eris E5s. The bass is not as pronounced on The 305P, but is much, much cleaner. If you want to enjoy your listening experience, we suggest investing in the JBLs.

Check out our full JBL 305P Mk2 review

PreSonus Eris E5 vs. Yamaha HS5

We’ll keep it simple here and say that our allegiance lies with Yamaha. While the HS5s don’t necessarily sound “better” than the Eris E5s, we find that our familiarity with the Yamaha sound lends to its strengths as a reliable monitor.

Check out our full Yamaha HS5 review

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