Finding a microphone that can handle all the abuse of a live performance, as well as life on the road, while still capturing the full range of your voice, is one of the most important decisions a singer can make.
Acoustic guitar is a delicate instrument, and requires a microphone that’s capable of capturing that nuance and subtlety of your performance.
AKG’s Perception line was introduced back in 2006, offering a solution to home-recording artists who were looking for quality microphones, but at a lower price than AKG’s more time-honored studio mics.
In this review, I’ll be taking a look at the P420, the line’s flagship model.
When it comes to vocal production, oftentimes the most important decision is which microphone to use.
While the perfect candidate depends largely on the singer and the style of music, my personal experience has shown that there are a handful of microphones I consistently rely on and trust for their exceptional performance in the recording studio.
Understanding the differences between various types of microphones is crucial for choosing the right one for your recording needs.
Dynamic, condenser, and ribbon microphones are the three main types, each offering unique characteristics and strengths.
In this article, I’ll take a deeper look into these microphones and their subtypes, explaining how they work and comparing their performance in various applications to help you make an informed decision.
Since 2001, Telefunken has been manufacturing high-end microphones out of South Windsor, CT.
Not too long ago, the company released the M82, a large-diaphragm cardioid dynamic microphone designed for kick drums as well as broadcast vocals.
In this review, I’ll be taking a closer look at the M82’s overall performance in a variety of applications, as well as seeing how it stacks up against a few competing microphones.