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Top 8 best bass-heavy songs for subwoofer test

Nothing makes a track more engaging than a powerful bass, and although it might seem obvious to simply look for subs that can reach the lowest possible frequencies, the best sonic results are often a combination of bass articulation and how the subwoofer blends with the rest of your equipment.

It’s intrinsically more difficult to assess the quality reproduction of lower frequencies, but as always, choosing a few demanding tracks and cranking up the volume will give you a clear understanding of how low your system can go.

testing a subwoofer with bass-heavy songs
Image: KEF

In this article, I selected a few songs that can help you identify how your sub performs when put under pressure. From hip-hop to electronic music, heavy metal and classical, these tracks will make the most of your sub’s ability to reproduce the lower side of the spectrum.

If it succeeds at representing these cavernous basslines and punchy kick drums, then your subwoofer will provide you with the power and depth you need to reproduce anything you fancy.

About me

Marco Sebastiano Alessi, author and contributor at Higher Hz

I’m an audio engineer and audiophile with over 10 years of experience in the music industry. I entered the world of subwoofers when I started mixing and mastering music for a living. I’ve been studying and researching the best audio systems for years to ensure that whatever comes out of my studio sounds perfect on all playback devices.

To achieve ideal results, I’ve experimented with dozens of audio systems and subwoofers, trying to find the perfect balance between sound accuracy, depth, and vibrancy.

Here’s a list of my favorite bass-heavy tracks for testing subwoofers:

  1. Royals – Lorde
  2. Uh Uh – Thundercat
  3. Shellshock – Noisia feat. Foreign Beggars
  4. 1812 Overture – Pyotr Ilyich Tchaikovsky
  5. Limit To Your Love – James Blake
  6. Money Trees – Kendrick Lamar feat. Jay Rock
  7. Nothing Else Matters – Metallica
  8. Angel – Massive Attack

Royals – Lorde

Lorde’s “Royals” is an excellent track to start your subwoofer testing: a pop song with minimalistic production that relies heavily on a groovy rhythm and ever-present bassline.

The track features a deep, resonant kick drum and a simple yet impactful bass that complements Lorde’s vocal melodies. And that’s basically it!

The perfect combination of punchiness and deep rumbling of the rhythmic section provides an excellent test for subwoofers to reproduce lower-frequency sounds with clarity and power.

Uh Uh – Thundercat

As I said earlier, you can’t judge a sub exclusively by how low it goes, and Thundercat’s bass guitar virtuosity is the perfect example that the subwoofer’s agility plays a crucial role in reproducing complex textures.

Thundercat’s “Uh Uh” is a jazz-fusion track with frenetic energy, where rapid scales and arpeggios dip into the lower end of the spectrum, providing a dynamic range that forces subwoofers to accurately reproduce sonic nuances with both speed and depth.

That’s far from trivial, but if you’re into jazz in any of its forms, consider “Uh Uh” as the baptism of fire of your sound system.

Shellshock – Noisia feat. Foreign Beggars

Noisia’s “Shellshock” is a drum and bass track that packs an enormous amount of low-end energy and is undoubtedly the ultimate stress test for any subwoofer’s ability to handle rapid transitions and extreme low-end.

The production features complex, multi-layered basslines that dip into sub-bass frequencies, coupled with highly compressed kick drums that deliver a rhythmic punch.

The track evolves relentlessly, with the hectic kick constantly shifting as the low bassline passes from subtle rumble to main melody as the song progresses.

If you’re into D’n’B, EDM, and electronic music in general, test your system with “Shellshock,” and you’ll know what it’s capable of.

1812 Overture – Pyotr Ilyich Tchaikovsky

While classical music may not be the first genre you think of for bass-heavy tracks, the “1812 Overture” has moments of profound low-end that require the utmost accuracy to recreate the sense of awe and immersiveness that defines the piece.

The composition is a sonic tapestry of orchestral grandeur, marked by a variety of instruments that contribute to its dynamic range. The timpani and bass drums resonate deeply and offer a robust low-end presence, punctuating key moments in the overture and adding a layer of complexity to the piece.

Finally, the cannon fire in certain performances also offers a unique test for subwoofers, with its deep, resonating booms that require accurate reproduction for the full dramatic effect.

Limit to Your Love – James Blake

I talked about this track in a recent article on the best songs to test stereo speakers, and I still consider this reinterpretation of Feist’s beautiful piece an ideal test for any sound system, particularly for those audiophiles interested in accuracy on the lower side of the spectrum.

This track features a sparse arrangement that makes its deep sub-bass frequencies even more noticeable. The minimalist piano and the haunting vocals of James Blake are punctuated by intermittent but highly resonant bass notes. Here, low-end elements are drawn out and sustained, challenging a subwoofer’s ability to maintain clarity over longer periods.

Without a deep and articulate bass, the song loses its soul, but with an accurate reproduction, it’s a masterpiece of electroacoustic minimalism.

Money Trees – Kendrick Lamar feat. Jay Rock

Hip-hop offers the ideal battleground for your sub because of a production that often relies heavily on groovy and catchy basslines and how they blend with unpredictable vocal lines. As such, a sound system should excel in delivering low frequencies with articulation and agility.

If you’re into hip-hop in all its variations, I’d recommend you give a spin to Kendrick Lamar’s excellent “Money Trees.” The song features a laid-back hip-hop beat with a deep, rumbling bassline that’s the backbone of the track’s engaging groove.

The kick drum is tight and punchy, allowing for the bass to occupy its own space in the low-end spectrum.

Nothing Else Matters – Metallica

I’m not a huge fan of Lars, but oh boy, the way his drum kit sounds! In “Nothing Else Matters,” the slow and steady groove gradually evolves in a crescendo that reaches first the chorus, then a poignant ending with Hetfield’s iconic solo.

Throughout the track, the bass guitar and kick drum are powerful and prominent, providing the emotional foundation without being overpowering. A good subwoofer should be able to capture not only the groove’s energy but also its nuances and low-end resonance that give the song its depth.

Angel – Massive Attack

Perhaps the most popular track to test subs, Massive Attack’s “Angel” is a beautiful and haunting trip-hop classic with a slow, ominous bassline that serves as the track’s sonic core.

The bass is deep and sustained, with a rumbling quality that can showcase a subwoofer’s ability to reproduce low frequencies without distortion. The drum pattern is intricate but secondary to the bass, making it an excellent track to assess your sub’s clarity and power in the low end, especially when it comes to prolonged bass patterns.

Final thoughts

Remember that while a heavy bass is crucial to creating a galvanizing soundscape, what’s more important is to craft a cohesive sound texture where different frequencies don’t overshadow each other.

Take your time to analyze how your speakers deal with midrange and high frequencies, and then use the sub to emphasize the lower side of the spectrum. The result should be an immersive sound texture where all frequencies coexist and is further enhanced by the power and depth of bass.

Happy listening!


  • You should add some selections by LORN to your list. I think the best description was coined by YouTuber DMS, atmospheric subbass. The album Remnant comes to mind. Be careful with these track, secure your glassware.

  • Smashing Pumpkins – Thirty Three.
    You will thank me later lol. The bass just doesn’t stop and the sweep is incredible

    • Just my opinion but 90% of rap bases is remodelated and overdubbed. Very few of it gets below 80 hertz subwoofers are really tested when you get down the 40s and very few raps songs get there

  • In my opinion the best bass songs are actually
    Gawd damn high by Juicy J
    Also Yamborghini High by A$AP Mob
    Demons by Jacob Lee as well as
    Cute Girl by Diggy Graves
    And My Shit Bang by E40

  • Nice tracks, but probably shouldn’t advertise it with the worst bass reproducing system ever, LOL. Those KEFs cost a lot, for little return.

  • bassotronics the feeling of bass should be 1 than bass I love u 2 then maximum excursion 3,all from the same group…….

  • I can’t believe OMD Pacific age is not in this. I used to test this back in a day when Rockford fosgate 15th and 18s were these soup d’jour? If anything, could wipe out a subwoofer it’s that album

  • I was very surprised but pleased to see Limit to your Love and Angel. You should give Edge by REZZ a spin next time you’re testing. I’ve done sound staging for multiple bands and helped adjust countless car and home stereo systems. Edge has become a go to for me when bass testing.